In a recently reposted essay, Joel Friedlander of book design fame extols the virtues of utilizing snappy photographs to grab readers’ interest. I heartily concur. In my eleven years of blogging at Pension Risk Matters, followed by Good Risk Governance Pays and now I Paint With Words, I have included an image in nearly every write-up. A visual can sometimes be more evocative of an idea or feeling than words alone. A selection can enhance the central message even when it’s not directly related to the subject at hand. To reinforce my commentary about building trust, I embedded an illustration of a giraffe atop an elephant with the latter walking acrossRead More →

If you have yet to see La La Land with Ryan Gosling and Emma Stone, consider a trip to the cinema for an entertaining tale of two young people with Hollywood dreams. Set to music, the film is visually appealing and a nice throwback to the Fred Astaire – Ginger Rogers type productions of yore. The stars, box office draws both, convince the audience to root for them as they seek fame and fortune. Their path is not easy. We watch the protagonists realize their share of hard knocks and disappointments. Yet they triumph … sort of.  (Stop reading here to avoid SPOILERS.) By taking risks, they both end up with undeniable careerRead More →

If you like psychological thrillers and have yet to see The Fall, grab the popcorn and prepare to be glued to your sofa. After broadcasting its third season in the United Kingdom, this tantalizing BBC produced crime show is now available to Netflix streaming customers. Created by entertainment guru Allan Cubitt, The Fall takes the viewer on a bumpy ride for seventeen episodes as Gillian Anderson (starring as a senior police investigator) tries to capture a killer (played brilliantly by Jamie Dornan) and then, once caught, make sure he is punished with a long jail term. In between the chase and the search for justice,Read More →

I’ve been longing to attend a “Save the Cat” screenwriting workshop for many months. I’d heard great things about this disciplined approach to storytelling. I was not disappointed. The content was developed by the late Blake Snyder, billed as “one of Hollywood’s most successful spec screenwriters” and author of several popular “how to” books. My instructor was Ben Frahm, likewise a screenwriter with an impressive track record in the entertainment business. I have more to learn about creating a “beat sheet” that translates a three act piece into fifteen key events to ensure drama, pacing and appeal. I am still reading books and articles aboutRead More →